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The Dream-Quest of Unknown Kadath (H.P. Lovecraft Ebooks Book 9), by H. Phillips Lovecraft
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"The Dream-Quest of Unknown Kadath", first published in 1927, is an horror-fantasy by H.P. Lovecraft about an epic tale that illustrates the scope and wonder of humankind's ability to dreamthe longest of the stories that comprise Lovecraft's "Dream Cycle" and the longest Lovecraft's work to feature protagonist Randolph Carter.
- Sales Rank: #169493 in eBooks
- Published on: 2012-11-01
- Released on: 2012-11-01
- Format: Kindle eBook
From the Inside Flap
Six bone-chilling tales of bizarre beauty and awesome horror lurk in the dark of the soul, waiting to be called upon by the demons of nightmares, and let loose in the frightened mind. Only H.P. Lovecraft could conjure up these testaments to evil that will live inside of you forever....
About the Author
Howard Phillips Lovecraft, August 1890 - March 1937, was an American author who achieved posthumous fame through his influential works ofhorror fiction. Virtually unknown and only published in pulp magazines before he died in poverty, he is now regarded as one of the most significant 20th-century authors in his genre. Lovecraft was born inProvidence, Rhode Island, where he spent most of his life.
Most helpful customer reviews
0 of 0 people found the following review helpful.
This is what I loan to folks who say "I don't care for Lovecraft"
By Michael A. Duvernois
I think these are the best written stories in his body of work, perhaps not as canonical as Cthulu and all, but evocative of the same sort of celestial terror behind our puny lives. And the adventures in the dream lands fun for the reader and perhaps easier than when the weirdness is in our world.
1 of 1 people found the following review helpful.
Night-Gaunts and White Ships and Silver Keys
By Paul Camp
H.P. Lovecraft is best known for his horror stories, especially his Cthulhu mythos tales. But earlier in his career, he wrote a number of Dunsanian dream fantasies. While they sometimes had horrific elements, these stories aimed more for the exotic than the terrifying. Perhaps the best known of Lovecraft's dream tales is a 38,000 word novel called _The Dream-Quest of Unknown Kadath_ that he wrote around 1926. Lovecraft was dissatisfied with the novel, and he never submitted it for publication. It appeared posthumously in the forties-- first in a little magazine called _The Arkham Sampler_, then in the collection _Beyond the Wall of Sleep_ (1943). (For reasons best known to God, Dorothy McIlwraith at _Weird Tales_ rejected it.)
In 1970, Lin Carter assembled the "Dream-Quest" with five other dream stories by Lovecraft. Three of the stories are Randolph Carter tales: "Dream-Quest," "The Silver Key," and "Through the Gates of the Silver Key". The three other stories are "Celephais," "The White Ship," and "The Strange High House in the Mist". The Ballantine edition also contains a lovely cover by Gervasio Gallardo and an informative introduction by Lin Carter.
Let us start with the novel. I think that it is fair to say that it is considerably better than Lovecraft believed. There is a richness of imagination and occasional flashes of poetry that carry the reader along. We read of the cats who can leap to the far side of the Moon, black ships with unseen rowers, merchants with wide smiles and two suspicious bumps on their foreheads under their turbans, a city under crystal waters of the sea, a trapdoor with an iron ring in the middle of a forest, a zebra thethered to a curious pillar, the carven face of a haughty god perched high on a mountain ledge, the cold and rubbery night-gaunts... and more. Much more.
But the best dream novels-- like the _Alice_ books or George MacDonald's _Lilith_ --have plots. Mind you, the logic may not be the same as that of a realistic novel, but a structure is there. _The Dream-Quest of Unknown Kadath_ doesn't have much of a plot. One incident simply follows another until the novel is brought to an abrupt close. And while there are portions of the novel that are poetic, there are also portions in with Lovecraft falls back on vague adjectives like "blasphemous," "unspeakable," and "unnameable" for his effects. So-- we have an interesting but flawed novel that is certainly more pleasant to read than many of Lovecraft's horror stories.
"The Silver Key" is an account about what happens to Randolph Carter after he loses the ability to dream. The story hints that he recovers it with the silver key. Carter, heavily modeled on Lovecraft, is portrayed as creative, intelligent, and sensitive. Characters who want Carter to spend a certain amount of time in the real world are portrayed as conventional, stupid, and boorish. Having dealt with a certain number of people like Carter who retreat into dream worlds while other people do their work for them, this story leaves me cold. "Through the Gates of the Silver Key" is a long sequel written in collaboration with E. Hoffman Price. It is much superior to the first story.
"The Dream-Quest" contains several allusions to other Lovecraft stories. There are a couple of nods to the central character in "Pickman's Model". There is a reference to a "tall lighthouse, silent and alien" (15) that _could_ be the lighthouse in "The White Ship". And there are numerous references to the exotic port city of Celephais.
Both "The Strange High House in the Mist" and "The White Ship" are effective tales of heroes who venture into exotic realms and who manage to return-- but not unchanged. "Celephais" has some effective descriptive passages, but it suffers from another hero who is Too Good For This World.
All in all, an old-fashioned fantasy collection of some charm. In honor of HPL, settle down in a plush chair with a bowl of ice cream by your side, a sagacious cat curled up in your lap, and the book in your hand. Ready? Slowly peruse.
3 of 3 people found the following review helpful.
It was a fever of the gods
By J. B. Shoup
H.P. Lovecraft was a gentleman and a true artist - the stories released under his name are works of his singular genius, unbending to commercial pressures. The revisions and ghost-writing he did to supplement his income were never throwaway pulp tripe, but chances seized upon by the author to test out and perfect his trademark blend of horror and wonder in the face of an infinite cosmos.
One piece stands out among his work, and that is The Dream-Quest of Unknown Kadath. It was done as a personal exercise and was only released posthumously - never even formally typed in the author's own lifetime. He was concerned it was so singular and out-of-the-ordinary in his field of weird fiction that it wouldn't be well-received and thus he never submitted it to a publisher. Fortunately for the world, it was lovingly transcribed by his associates and released for all to enjoy.
It is certainly the most personal of his works - his recurring character Randolph Carter is the star, and Mr. Carter is the closest thing to an alter-ego among Lovecraft's gallery of literary creations. By day he is just another man (revealed in other stories to be a writer of weird fiction as was his creator), but by night he is a master dreamer privy to realms of the collective unconscious unknown to the average traveller of Hypnos' domain. As haunting dreams of beauty trouble him, Carter sets out on a quest to find a fabled city of the gods of which Fate has cursed him with tantalizing visions. This takes him deep into the Dreamlands, a fantastic and wondrous realm where civilizations of the primitive and the classical reside in staggering landscapes of beauty and dread. He takes on the will of the blind and dangerous Outer Gods as he seeks to attain a privilege of the gods that few mortals have attempted, and in the course of his trek he finds himself adrift at sea, taken to the moon, battling alongside feline hordes, and in the clutches of darkest cosmic force.
The diction is wordy and dense, done both as a tribute to Lovecraft's beloved Lord Dunsany and as an exercise of the unparalled vocabulary that marks Lovecraft's work. This lofty prose works well to bolser the otherworldly, epic feel of the work. No apologies are made to the audience regarding the fantastic setting, and the audience is tantalized with some details and left to speculate on others concerning the background of the world Randolph Carter tranverses. It is the Dreamlands, after all - and Lovecraft provides elusive and mesmerizing revelations to inspire his audience to bring the land to life in their own dreams.
Ultimately, the book is a thrilling read equal parts breathless fantasy, unrelenting adventure, and dawning horror. Any fan of Lovecraft's other work will find this book indispensable, and fans of the epic work of Edgar Rice Burroughs, J.R.R. Tolkien, C.S. Lewis, or Lovecraft-inspired modern icon Neil Gaiman will thrill to this tale of dreams sought and hopes attained.
Any scholar of Lovecraft's biography will be moved at the contents of the final paragraph, where the mask of Carter slips and we see Lovecraft recalling the dreams of his own life which always remained just out of reach. To understand Lovecraft, and to experience a world of fantasy and horror unlike any other in print, one must do himself or herself the favor of taking the Dream-Quest of Unknown Kadath.
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